FAQ: #deaftravel: Deaf Tourism in Bali

#deaftravel: Deaf Tourism in Bali is an ethnographic film that explores the experiences of deaf tourists who visited Bali as solo travelers, in pairs, or in groups, in the summer of 2018. The tourists originated from Europe, the USA, and India. They joined tours guided by two deaf tour guides, Wahyu and Gio, whose quite different […]


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“I never expose them to my sign language!”: Morality in Deaf Tourism

Image: A visitor’s log book at one of the schools for the deaf in Bali listing visitors from England, Italy, the United States, Japan, and Indonesia. By Erin Moriarty Harrelson, 6 February 2019 Note: This blog was later developed into a journal article: “Sign to me, not the children”: Ideologies of language contamination at a […]


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“Waar is de rode draad?”: Anthropologists and Filmmakers Making Deaf Ethnographic Films

By: Erin Moriarty Harrelson 27 September 2018 What is the difference between deaf ethnographic filmmaking and producing documentaries for television and cinema? This question was raised during a filmmaking workshop hosted by MobileDeaf on 17-18 September 2018, attended by the filmmakers from Belgium and London we work with. As a part of its research and […]


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Observing Deaf Tourist Practices in Bali

By: Erin Moriarty Harrelson I have been in Indonesia for about four months now, familiarising myself with Bali, tourism in Bali in general, and the nature of deaf tourism here. This involved going on “ride-alongs” with deaf tourist groups, meeting with deaf tourists individually, as well as meeting with community leaders, tourist guides, and village […]


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What makes a film a “deaf ethnographic film”?

By Erin Moriarty Harrelson,  August 2017 Last week, the MobileDeaf team organised its first reading/film discussion groups at Heriot-Watt University in Edinburgh. These reading/discussion groups are built around themes (about 15 themes over 6 months) and last week’s theme was Ethnographic Filmmaking. Each of us will direct a full-length ethnographic film within the frame of […]


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